Characterising Generational Reboot Strategies:
Contemporary Hollywood, Transmedia Culture, and Spider-Man DOI: https://doi.org/10.33008/IJCMR.2019.11 | Issue 2 | September 2019 Bethany...
ISSUE 2 / SEPT 2019
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The Femme Fatale and the Female Screenwriter: Disrupting the Stereotype
DOI: https://doi.org/10.33008/IJCMR.2019.12 | Issue 2 | September 2019 Katherine Chediak Putnam Griffith University, Queensland Abstract...
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Victorian Illustrated Shakespeare Archive: Digital Archive as Critical Argument
DOI: https://doi.org/10.33008/IJCMR.2019.13 | Issue 2 | September 2019 Michael John Goodman Cardiff University Abstract The Victorian...
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How Do You Write for What the Camera Can’t Do?: Scriptwriting, Animation, & Transmedia Storytelling
DOI: https://doi.org/10.33008/IJCMR.2019.14 | Issue 2 | September 2019 Brian Fagence University of South Wales Abstract How do we write...
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Not (a) Part: Handmade Animation, Materialism and the Photogram Film
DOI: https://doi.org/10.33008/IJCMR.2019.15 | Issue 2 | September 2019 Vicky Smith University for the Creative Arts Abstract Not (a) Part...
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A Crisis Discipline:
Broadening Understanding of Environmental Communication Through Theory and Practice DOI: https://doi.org/10.33008/IJCMR.2019.16 | Issue...
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Affective Cinema: Experimenting with Feelings of Meaning
DOI: https://doi.org/10.33008/IJCMR.2019.17 | Issue 2 | September 2019 Pavel Prokopic University of Westminster Abstract Affective Cinema...
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Affordances (and Potential Pitfalls) of Documentary as Research:
The Creative Process of Australian Screenwriter Jan Sardi DOI: https://doi.org/10.33008/IJCMR.2019.18 | Issue 2 | September 2019 Mark...
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Contemplative Photo-collage in Media Studies Pedagogy
DOI: https://doi.org/10.33008/IJCMR.2019.19 | Issue 2 | September 2019 Kevin Healey University of New Hampshire Abstract This project...
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