Issue 5

ISSUE 2 / SEPT 2019

Characterising Generational Reboot Strategies:

Contemporary Hollywood, Transmedia Culture, and Spider-Man DOI: https://doi.org/10.33008/IJCMR.2019.11 | Issue 2 | September 2019 Bethany...

The Femme Fatale and the Female Screenwriter: Disrupting the Stereotype

DOI: https://doi.org/10.33008/IJCMR.2019.12 | Issue 2 | September 2019 Katherine Chediak Putnam Griffith University, Queensland Abstract...

Victorian Illustrated Shakespeare Archive: Digital Archive as Critical Argument

DOI: https://doi.org/10.33008/IJCMR.2019.13 | Issue 2 | September 2019 Michael John Goodman Cardiff University Abstract The Victorian...

How Do You Write for What the Camera Can’t Do?: Scriptwriting, Animation, & Transmedia Storytelling

DOI: https://doi.org/10.33008/IJCMR.2019.14 | Issue 2 | September 2019 Brian Fagence University of South Wales Abstract How do we write...

Not (a) Part: Handmade Animation, Materialism and the Photogram Film

DOI: https://doi.org/10.33008/IJCMR.2019.15 | Issue 2 | September 2019 Vicky Smith University for the Creative Arts Abstract Not (a) Part...

A Crisis Discipline:

Broadening Understanding of Environmental Communication Through Theory and Practice DOI: https://doi.org/10.33008/IJCMR.2019.16 | Issue...

Affective Cinema: Experimenting with Feelings of Meaning

DOI: https://doi.org/10.33008/IJCMR.2019.17 | Issue 2 | September 2019 Pavel Prokopic University of Westminster Abstract Affective Cinema...

Affordances (and Potential Pitfalls) of Documentary as Research:

The Creative Process of Australian Screenwriter Jan Sardi DOI: https://doi.org/10.33008/IJCMR.2019.18 | Issue 2 | September 2019 Mark...

Contemplative Photo-collage in Media Studies Pedagogy

DOI: https://doi.org/10.33008/IJCMR.2019.19 | Issue 2 | September 2019 Kevin Healey University of New Hampshire Abstract This project...

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