Issue 5

SPECIAL ISSUE

ISSUE 5 / OCT 2020

IJCMR

Language in a meme economy

Artist Ami Clarke traces some of the complexities, multi-temporalities and scales, that coalesce around some new, and some very old power...

IJCMR

Waveform

The film Waveform is an output from a project of the same name that has been ongoing since 2017, and which centres on the use of drones...

IJCMR

The Noise of Becoming

This visual essay aims to review a virtual art installation: the cyberformance of NAUT-ADA (2018-2020): a fictional character on Instagram..

IJCMR

Kimey Peckpo Hatches Out: A mythopoeic self-destruction story

Kimey Peckpo Hatches Out is the title of the film around which I created a performative installation and features a fictional projection...

IJCMR

Twisting Metal with Earth

The video Twisting Metal with Earth was produced to explore how weather stations can be useful beyond their function as mechanical sensors.

IJCMR

Hacking the NAP: Spectography as Counter-fiction Machine

Downtown Miami is home to the Network Access Point (NAP) of the Americas. Operated by the multinational Equinix, informational traffic...

IJCMR

After Humanity: technology, ecology and a blueprint for speculative media

'After Humanity' approaches issues of technological futures, environmental collapse and human agency. The eponymous future after the fall...

IJCMR

The Crimean Bridge and Infrastructural Deepfake

Deepfake technology, widely discussed in the media as a threat, has remained on the periphery of critical scholar engagement.

IJCMR

Sketch 2 for a Time-Slip Installation

Sketch 2 for a Time-Slip Installation was created for a multi-modal artistic research project called BC Time-Slip (The Empire Never Ended)..

IJCMR

Bad Evidence: The Fictions of Interrogation

In 2017, I travelled to Texas to train in The Reid Technique, America’s widely used form of psychological interrogation.

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